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Sélection de Paresthésie Prestige

Mike Kelley, Little Friend

More Love

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To weather the storm

Catalogue essay for Huddling, friends with thermal benefits, curated by Isabella Hone-Saunders at Cool Change Contemporary, May 2022.

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The Boom and Bust of Sleaze

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MeMOdrome: O'Blivion's Ratio

Grace Culley, Non-stimulant, 2021, Biro pen on rag paper, 76.8 x 56cm. Photo by Christo Cr

Grace Culley at Sutton Projects

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ACMI, Disney: The Magic of Animation

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Happy Endings: Disney Accelerationism

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The garden

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rrealartt, Jab

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Claire Lambe, Dart Object and Jemi Gale, drowning curse

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Facts

West Space (offsite), catalogue essay​, Myths & Facts

(Rafaela Pandolfini, 2020—2021)

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xoxo Grotty Gossip Girls:

Abject Australian Art

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Rex Veal, Summer 20/21

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The ND: Love After Life

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Lost in the feed/translation

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Art review

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In Costume

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SOmething Essay

Catalogue text for SOmething Drawings, curated by Carmen-Sibha Keiso, Read the Room, August 2019.​ Typeface design by Clare Wohlnick.

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Comedy and Chaos

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Abandoned Theme Parc

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Decadent (Im)Possibilities

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Fucky, With Compliments

Bus Projects, catalogue essay

A smile forms into a grimace mid-slumber as the earth spins — it’s funny, such is the sound of laughter — it is like god’s hands on the shoulders of a troubled world

(Spencer Lai, 31 October - 24 November 2018)

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Be Your Own Stylist: Protest Aesthetics

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Mutlu Çerkez: Fake or fortune?

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Athens is the New Berlin: documenta’s counterfeit bohemia

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Solidarity: live your Greece in myth

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People Soup at Suicidal Oil Piglet

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Leftovers

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A 20/20 Retrospective

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Rare Candy: I have become a sign to many

Dissect Journal, 2016-17

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Banquet at the Biennial

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CRITIQUE

Critical reader produced as part of the 2015 Gertrude Contemporary Emerging Writers Program.

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AAANZ Conference: Image - Space - Body, 2015

Paper, Personality Shares, presented as a part of the session: Art after the future: Hito Steyerl and the global digital image.

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Everything is fucked