Sélection de Paresthésie Prestige
More Love
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To weather the storm
Catalogue essay for Huddling, friends with thermal benefits, curated by Isabella Hone-Saunders at Cool Change Contemporary, May 2022.
The Boom and Bust of Sleaze
MeMOdrome: O'Blivion's Ratio
Grace Culley at Sutton Projects
ACMI, Disney: The Magic of Animation
Happy Endings: Disney Accelerationism
The garden
ACCA & RMIT non/fictionLab
Writing in the Expanded Field Volume 3: Overlapping Writing, May 2021
rrealartt, Jab
Claire Lambe, Dart Object and Jemi Gale, drowning curse
Facts
West Space (offsite), catalogue essay, Myths & Facts
xoxo Grotty Gossip Girls:
Abject Australian Art
Rex Veal, Summer 20/21
The ND: Love After Life
Lost in the feed/translation
Art review
In Costume
SOmething Essay
Catalogue text for SOmething Drawings, curated by Carmen-Sibha Keiso, Read the Room, August 2019. Typeface design by Clare Wohlnick.
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Comedy and Chaos
Abandoned Theme Parc
Decadent (Im)Possibilities
Fucky, With Compliments
A smile forms into a grimace mid-slumber as the earth spins — it’s funny, such is the sound of laughter — it is like god’s hands on the shoulders of a troubled world
Be Your Own Stylist: Protest Aesthetics
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Mutlu Çerkez: Fake or fortune?
Athens is the New Berlin: documenta’s counterfeit bohemia
Solidarity: live your Greece in myth
People Soup at Suicidal Oil Piglet
Leftovers
A 20/20 Retrospective
Rare Candy: I have become a sign to many
Dissect Journal, 2016-17
Banquet at the Biennial
CRITIQUE
Critical reader produced as part of the 2015 Gertrude Contemporary Emerging Writers Program.
AAANZ Conference: Image - Space - Body, 2015
Paper, Personality Shares, presented as a part of the session: Art after the future: Hito Steyerl and the global digital image.
Everything is fucked
Dissect Journal, 2013. Republished in Dancehouse Diary (2014)